<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;"> </p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461818/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">（美）梅維恆主編《哥倫比亞中國文學史》（新星出版社）：這些論文以及分編的命名與切入方式，體現出一以貫之的三方面問題意識——文體形式、內容定位與表達意蘊之間的關係，歷史時段區分背後的演進、革命與變遷，精英視角的代表性作者、作品、流派與社會視角的廣大作者群體和文學思潮、傾向、變革之間的互動關係。在具體論述中，也體現出點面結合、大歷史與歷史細節結合、學術問題意識與大眾普及表達結合的三方面突出優點。非常值得推薦。</span></span><a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻官網</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻副作用</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片真假</span></span></span></span></u></a></p>
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<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461819/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">顧春芳《契訶夫的玫瑰》（譯林出版社）：儘管《海鷗》《櫻桃園》等契訶夫的知名戲劇，在中國多次上演，但其影響範圍僅限於主要一二線城市，在中國更廣大的讀者眼前，契訶夫更多還是以諷刺小說與深邃思想著稱。基於此，本書的研究與敘寫，是對於契訶夫的中國研究、閱讀與傳播面向的有力豐富，也可謂是作者這樣的資深人物研究者，跟契訶夫之間跨越國別、性別與時代的動人隔空對話。而精美的歷史現場照片、雅緻的裝幀與用心的設計，更賦予了本書在內容與形式上的雙重匠人精神，非常值得細讀、珍藏和推薦。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461820/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">黃梵《意象的帝國》（廣西師大出版社·純粹）：作者的分享，生動形象、循序漸進而富於啟發意義與實操價值。這樣一部優秀的詩歌寫作教程，已經幫助眾多基礎薄弱甚至零基礎的愛好者，成功走入詩歌寫作的職業化路徑，並取得在相應文學類專業媒體的發表成績。非常值得細讀、參考和推薦。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461883/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">王運熙王國安評註、了了剪紙《樂府之樂》（一頁&廣西師大出版社）：評註者師徒是知名古典文學研究大家，其編撰的註釋精要，評析公允，注與評都注重參考過往經典研究文獻與一手資料，立足於詩歌本體的創作背景、主題意蘊等做必要的闡釋，而沒有過多個人化的理解與演繹，充分體現對於讀者主體性的尊重與服務意識。而年輕作者融合了傳統工藝與現代美學觀念的剪紙插圖，更是為全書增色不少，在如今的讀圖讀影時代裡，全書兼具內容與形式上的雙重精品價值。書名“樂府之樂”，巧妙地運用了“樂”字的多音多義性，讓讀者在遙想樂府精品詩作的美妙韻律的同時，盡享讀詩、賞詩、詩畫合一的人生至樂。非常值得推薦。也期待“新古典”系列的後續問世作品。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461884/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">呂叔湘編著《筆記文選讀》（上海文藝出版社）：呂先生編選的這些筆記，基本上涵蓋了古代文人士大夫從理政、問學、交友到出遊、雅聚、閒談等方方面面的工作生活狀態，既可以用來從容學習文言，也可以從中管窺士人情趣與風貌。每則筆記後，還附有簡明扼要而淺顯易懂的註解和循循善誘、啟發讀者自我學習與思考的討論。這樣一部帶有呂先生濃厚個人色彩、而又頗具大家風範的筆記選本，非常值得感興趣的朋友細讀。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461885/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">周國平《寶貝，寶貝》（新經典·琥珀圖書&北京十月文藝出版社）：而定位於育兒類的熱門主題，僅僅是這本書成功的要素之一，除此之外，本書至少在四個方面，具有獨特的辨識度與優良品質——一是站在資深學者與作家的視角，對女兒的成長印記進行要點鮮明的記錄與哲理深邃的解讀；二是以一位父親的身份，如實記錄跟女兒和妻子之間，亦親亦友、相互關愛而又彼此尊重的家庭史脈絡；三是以一位作為主體的人的視角，探究同樣生動、鮮活、獨特的女兒的生命成長歷程與人生終極困惑；四是以一位自然與宇宙中的生命個體的視角，記錄與闡釋生命的本質以及人作為獨特生命的特點、光芒與缺憾。無論之於文學、學術、親情、人性與生命終極關懷，這本用心打磨而成的作品，都值得不同背景的讀者細讀。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461929/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">劉子超《午夜降臨前抵達》（新經典·琥珀圖書&文匯出版社）：跟其2020年大受歡迎的中亞旅行文學作品《失落的衛星》相比，可以看出作者這幾年來在文字的老道程度、知識積累的豐富性、生活閱歷的沉澱度方面的成長與迭進，而兩本書一以貫之的，是將個人旅行見聞、生命體驗、閱讀與文藝積累跟其對於時代變遷與歷史演進的感悟四者交織在一起的迷人寫法。而書中最為動人的，是在看似漫不經心與輕描淡寫的細節講述中，將歷史的背反、時代的悖謬與生命個體永恆的孤獨感和盤托出。期待作者的寫作之路越走越寬，打磨出更多更精彩的非虛構佳作。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461930/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">賈平凹《諸神充滿》（果麥文化&北京聯合出版公司）：書名“諸神充滿”很好地概括了本書選文內容的三方面特點——一是“萬物有靈”般的同理心，探究自然、人間與社會文化生活中的點滴動人故事；二是以對於民俗、對於歷史、對於中華文化的熟稔與深厚感情，講述自己生命歷程中的眾多難忘記憶；三是以對於自我、對於現實、對於人類發展邊界與極限的清醒認識，傳遞敬畏歷史、敬畏自然、敬畏世界運行法則的清醒認識。這樣一部頗能代表作者寫作觀、人生觀與世界觀的文選，非常值得細讀。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461931/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">（英）扶霞·鄧洛普《魚米之鄉》（中信出版集團）：本書採取跟《川菜》類似的框架結構，不只有圖文並茂的150多道江南菜的詳細菜譜，也有作者立足於飲食人類學和社會文化史視角、對江南菜背後的地域歷史文化與豐富人文意蘊的精彩解讀。一冊在手，可從容做菜、可品讀文化、可暢想江南詩意生活之無限魅力，非常值得推薦。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461979/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">楊慶祥主編“新坐標”書系（江蘇鳳凰文藝出版社）：所謂“新坐標”，就是由受過良好訓練的80後、90後文學研究學者或文藝批評家，為當今中國最為優秀和活躍的一批70後、80後作家，各自量身定制一本代表性作品及其相關研究的文集。文集所設計的代表作、相關研究與批評、創作自述、代表性訪談與創作年表這五部分內容，可以讓讀者比較系統地管窺這些作家的創作理念、作品精華與延伸解讀和研究，也體現了文學創作、文學研究與文藝批評之間相互促進、緊密對話的策劃意圖。這六種作品聚焦的葛亮、魯敏、徐則臣等作家，都是當今國內青年作家裡的翹楚，由他們來為中國文學確立“新坐標”，也是體現文學創作推陳出新、再從新銳到主流的發展脈絡。秉承如此策劃理念與編撰雄心的這套叢書，值得敬佩、關注與細讀。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461980/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">胡文輝編《陳寅恪語錄》（後浪圖書&上海文藝出版社）：所選語錄，全部出自陳先生自己的作品與身邊人對陳先生的回憶實錄等一手文獻。其編選的問題意識，大致是突出陳先生治史、問學、知人、論世等方面的心得精華。相比於陳先生自身作品的相對專業與艱深，這樣一部語錄選集，是大眾學術讀者相對系統地了解先生思想的一部門檻較低的作品，但同時，得益於編選者的學術眼光與嚴格的版本學意識，本書也可以成為有志於系統了解、閱讀、研究陳寅恪先生的讀者的一部上佳的入門性和指南性作品。值得推薦。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939461981/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">張向榮《祥瑞》（上海人民出版社·世紀文景）：這本煞是好看的大眾歷史讀物，非常適合對王莽、兩漢歷史和作為意識形態的儒家思想演化變遷歷程感興趣的廣大讀者細讀。</span></span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><img alt="" src="https://inews.gtimg.com/newsapp_bt/0/13939462019/1000" style="cursor:move;border:0px none;vertical-align:middle;max-width:100%;margin:0.6em auto;display:block;" title="" /></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="font-weight:bolder"><span style="vertical-align:inherit">於堅《在東坡那邊》（楚塵文化&江蘇鳳凰文藝出版社）：作者的札記，融東坡生平的回顧與感悟、東坡作品的梳理與細讀、遺跡現場的風土人情與尋訪體驗，以及中西文化比較意義上的東坡及其作品探究這四者於一體，以一種意識流化的隨性書寫方式，跟千年之前的蘇東坡展開隔空對話。值得一提的是，這是一部圖文並茂的作品，書中所配的拍攝於尋訪現場的大量圖片，絕不只是札記正文的一種補充性點綴，而是札記內容的有機組成部分，其取景、構圖以及所配說明文字，都體現出深邃的歷史感與盎然的詩意，並跟札記文字之間形成美妙的互文效應。值得細讀和推薦。</span></span><a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻官網</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻副作用</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片真假</span></span></span></span></u></a></p>
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<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;"><a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片心得</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻生精片哪裡買</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">德國黑螞蟻</span></span></span></span></u></a> <a href="https://bantss.com/"><u><span><span style="color:#0000ff"><span style="font-family:宋体"><span style="font-family:宋体">黑螞蟻生精片</span></span></span></span></u></a></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="vertical-align:inherit">（本書單所收書目，全部來自蓑翁在八月份讀過、最近三個月裡出版、並且個人評星在四星或以上的文學人文藝術類書籍，點評為蓑翁原創，僅代表個人觀點，供書友們參考。）</span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="vertical-align:inherit">如果對本文感興趣，歡迎分享到朋友圈，謝謝！</span></p>
<p style="color:rgb(0, 0, 0);font-family:Times New Roman;font-size:medium;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px 0px 2em;padding:0px;line-height:2.2;overflow-wrap:break-word;"><span style="vertical-align:inherit">這裡是：蓑翁論書，微信號：wengonbooks</span></p>
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